| “Getting
photographs is not the most important thing. For me, it’s
the act of photographing. It’s enlightening, therapeutic
and satisfying, because the very process forces me to connect
with the world. When you make four-hour exposures in the middle
of the night, you inevitably slow down and begin to observe
and appreciate more what’s going on around you. In our
fast-paced, modern world, it’s a luxury to be able to
watch stars move across the sky"
HackelBury Fine Art is delighted to present new work from
Michael Kenna, widely considered the foremost landscape photographer
of his generation. With a career spanning thirty years and
exhibitions worldwide, Kenna continues his quest to capture
beauty in his work. Rather than banal documents of everyday
life, he offers us an alternative view: a combination of peace,
harmony and balance. In our increasingly turbulent times,
this is a welcome respite, offering us a more poetic reality,
suggesting a slower pace and a more meditative approach to
the world around us.
Often working at dawn or during the night, Kenna is best known
as an artist who explores and illuminates the effect that
human civilisation has on the natural world, recording the
sculptural evidence and traces that man leaves behind. Here
we see for the first time in many years his unique expression
of some of the great cities of the developed world. Even here
he has managed to find peace, tranquility and beauty amongst
the hustle and bustle of daily life, giving us the unusual
experience of a city such as New York with mere traces of
human presence.
“Considered together, his images leave a striking impression
that vastly different locations have been rendered as if they
were all empty theatrical sets. Kenna transforms a place into
a stage, on which all the drama of human life can be imagined”(Mark
Johnstone).
Michael Kenna was born in 1953 in Widnes, Lancashire, in the
industrial northwest of England, giving him an empathy for
industry and the working environment which he returned to
in his later photographic works. He studied at the Banbury
School of Art and the London College of Printing, graduating
with distinction in 1976. It was in this year that he first
encountered Bill Brandt, who became one of his major influences;
Kenna also cites as influences the European masters Atget,
Emerson, Giacomelli and Sudek as well as the Americans Callahan,
Sheeler and Steiglitz. All these photographers have clearly
informed and inspired his vision.
In London, Michael undertook advertising photography while
pursuing his personal work - photographing the landscape.
In 1977, he moved to San Francisco. There he met Ruth Bernhard
and became her assistant and photographic printmaker for eight
years. Since then, Kenna has photographed in Europe, Asia,
Russia, and through the Americas from Brazil to Canada, often
returning to the same locations and revisiting recurring themes:
an indeterminate time of day or night, a visual structure
which emphasises harmonious or contrasting forms, and an enveloping
aura of suffuse light or atmospheric mist.
The subject of over 20 books and hundreds of solo exhibitions
worldwide, Kenna’s exquisitely crafted prints are also
included in museum collections at The National Gallery, Washington,
D.C.; The Art Institute of Chicago; The Biblioteque Nationale,
Paris; Center for Creative Photography, Tucson, Arizona, ;
George Eastman House, Rochester, New York; Los Angeles County
Museum of Art; Maison Europeenne de la Photographie, Paris;
San Francisco Museum of Modern Art; Tokyo Fuji Art Museum,
Tokyo; The Museum of Decorative Arts, Prague; and The Victoria
and Albert Museum, London to name but a few. In 2001, Michael
Kenna was made a Chevalier in the Order of Arts and Letters
by the Ministry of Culture in France.
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All prices are subject to change without notice and availability
is subject to prior sale. Please call or email the gallery
for current pricing & availability. Thank you!
©
2008 Hackelbury Fine Art, Ltd. Copyright for all images is
held by the respective artist or estate and they may not be
reproduced in any form without express permission. All rights
reserved. |